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Philosophical essay on cultural imitation and cognition by David Deutsch

The passage contains no actionable leads, names of influential actors, financial transactions, or allegations of misconduct. It is a purely academic discussion of human cognition and cultural evolutio Discusses the role of imitation and creativity in human evolution References Karl Popper's philosophy of conjecture and refutation Cites a 2003 paper on imitation as behavior parsing

Date
November 11, 2025
Source
House Oversight
Reference
House Oversight #016305
Pages
1
Persons
0
Integrity
No Hash Available

Summary

The passage contains no actionable leads, names of influential actors, financial transactions, or allegations of misconduct. It is a purely academic discussion of human cognition and cultural evolutio Discusses the role of imitation and creativity in human evolution References Karl Popper's philosophy of conjecture and refutation Cites a 2003 paper on imitation as behavior parsing

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cognitioncultural-evolutionhouse-oversightsciencephilosophy

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BEYOND REWARD AND PUNISHMENT David Deutsch David Deutsch is a quantum physicist and a member of the Centre for Quantum Computation at the Clarendon Laboratory, Oxford University. He is the author of The Fabric of Reality and The Beginning of Infinity. First Murderer: We are men, my liege. Macbeth: Ay, in the catalogue ye go for men, As hounds and greyhounds, mongrels, spaniels, curs, Shoughs, water-rugs, and demi-wolves are clept All by the name of dogs. William Shakespeare — Macbeth For most of our species’ history, our ancestors were barely people. This was not due to any inadequacy in their brains. On the contrary, even before the emergence of our anatomically modern human sub-species, they were making things like clothes and campfires, using knowledge that was not in their genes. It was created in their brains by thinking, and preserved by individuals in each generation imitating their elders. Moreover, this must have been knowledge in the sense of understanding, because it is impossible to imitate novel complex behaviors like those without understanding what the component behaviors are for.”° Such knowledgeable imitation depends on successfully guessing explanations, whether verbal or not, of what the other person is trying to achieve and how each of his actions contributes to that—for instance, when he cuts a groove in some wood, gathers dry kindling to put in it, and so on. The complex cultural knowledge that this form of imitation permitted must have been extraordinarily useful. It drove rapid evolution of anatomical changes, such as increased memory capacity and more gracile (less robust) skeletons, appropriate to an ever more technology-dependent lifestyle. No nonhuman ape today has this ability to imitate novel complex behaviors. Nor does any present-day artificial intelligence. But our pre-sapiens ancestors did. Any ability based on guessing must include means of correcting one’s guesses, since most guesses will be wrong at first. (There are always many more ways of being wrong than right.) Bayesian updating is inadequate, because it cannot generate novel guesses about the purpose of an action, only fine-tune—or, at best, choose among— existing ones. Creativity is needed. As the philosopher Karl Popper explained, creative criticism, interleaved with creative conjecture, is how humans learn one another’s behaviors, including language, and extract meaning from one another’s utterances.”’ 6 “ Aping” (imitating certain behaviors without understanding) uses inborn hacks such as the mirror-neuron system. But behaviors imitated that way are drastically limited in complexity. See Richard Byrne, “Imitation as Behaviour Parsing,” Phil. Trans. R. Soc., B 358:1431, 529-36 (2003). *” Karl Popper, Conjectures and Refutations (1963). 85

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