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Fragmentary interview transcript with vague references to massages and a person named JeffreyPhilosophical essay on poetry, Chinese art, and historical figures
Case File
d-28901House OversightOther

1970s Counterculture References in Unrelated Graffiti Mentioned in House Oversight Document

The passage only contains nostalgic cultural references and a vague graffiti note with no specific individuals, institutions, dates, or transactions. It provides no actionable leads, novel information Mentions of 1960s icons (Jeffrey Airplane, Timothy Leary, Ram Dass) in hypothetical commercial conte Reference to a graffiti tag "Love /s Revenue" near Haight Street. Appears in a House Oversight fil

Date
November 11, 2025
Source
House Oversight
Reference
House Oversight #015316
Pages
1
Persons
0
Integrity
No Hash Available

Summary

The passage only contains nostalgic cultural references and a vague graffiti note with no specific individuals, institutions, dates, or transactions. It provides no actionable leads, novel information Mentions of 1960s icons (Jeffrey Airplane, Timothy Leary, Ram Dass) in hypothetical commercial conte Reference to a graffiti tag "Love /s Revenue" near Haight Street. Appears in a House Oversight fil

Tags

graffiticulturehistorical-referenceshouse-oversight
View on oversight.house.gov
Browse House Oversight Committee ReleasesHouse Oversight #015316

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EFTA Disclosure
Text extracted via OCR from the original document. May contain errors from the scanning process.
that it was really destined to become a jingle in a jeans commercial? Or that a Jefferson Airplane song would be used in a bank commercial? Or that Timothy Leary would model a Gap shirt for a full-page ad in /nterview, and Ram Dass would peddle a rejuvenating skin cream at a Saks Fifth Avenue counter? People magazine was selling the twentieth anniversary of the Summer of Love with a feature story set off by a double-paged cover with psychedelic artist Peter Max's signature on both pages. In red spray paint, on a brick wall just off Haight Street, standing out among the graffiti like John Hancock's signature on the Declaration of Independence, this message summed it all up: Love /s Revenue.

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